{"id":10757,"date":"2026-07-06T21:04:45","date_gmt":"2026-07-06T19:04:45","guid":{"rendered":"https:\/\/prjct.amsterdam\/?post_type=review&#038;p=10757"},"modified":"2026-07-06T21:04:45","modified_gmt":"2026-07-06T19:04:45","slug":"operawire-about-brockes-passion","status":"publish","type":"review","link":"https:\/\/prjct.amsterdam\/en\/review\/operawire-about-brockes-passion\/","title":{"rendered":"OperaWire about &#8216;Brockes-Passion&#8217;"},"content":{"rendered":"<p>&#8220;PRJCT Amsterdam remained highly controlled throughout, convincingly conveying Handel&#8217;s gift for musical characterization and vivid &#8216;word-painting.&#8217; The strings were remarkably acute, their playing characterized by a constant, mutual listening that created an atmosphere of sacred intimacy. [&#8230;] Most astonishing, however, was the basso continuo. The solo cello and chest organ provided not just a rhythmic foundation but a luminous aura\u2014a protective cushion of sound that allowed the singers to elegantly explore the heights of their roles. This performance was manifest that it was the result of a profound and deliberate artistic preparation, with intellectual taste and refined elegance.&#8221;<\/p>","protected":false},"featured_media":0,"parent":0,"template":"","categories":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.7 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>OperaWire about &#039;Brockes-Passion&#039; - PRJCT Amsterdam<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/prjct.amsterdam\/en\/review\/operawire-about-brockes-passion\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"OperaWire about &#039;Brockes-Passion&#039; - PRJCT Amsterdam\" \/>\n<meta property=\"og:description\" content=\"&#8220;PRJCT Amsterdam remained highly controlled throughout, convincingly conveying Handel&#8217;s gift for musical characterization and vivid &#8216;word-painting.&#8217; The strings were remarkably acute, their playing characterized by a constant, mutual listening that created an atmosphere of sacred intimacy. 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